Publications by other authors

Publications by
other authors

2023 2021 2019 2018 2017 2016 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991

See also:

Publications by Char Davies

Publications by other authors (by last name)

Search Publication Database

2023

Gibson, Steve. "Immersive Environments and Live Visuals." Live Visuals – History, Theory, Practice. Steve Gibson, Stefan Arizona, Donna Leishman and Atau Tanaka, eds. New York, NY, USA: Routledge (2023), pp. 322-323, illus.

2021

Himmelsbach, Sabine. "Unbounded Spaces – Immersive Virtualities." Resonant Realities, Exhibition Catalog. Berlin, Germany: Haus am Lützowplatz (2021), pp. 20-25, illus.

2019

Crowther, Paul. Digital Art, Aesthetic Creation. The Birth of a Medium. New York, NY, US: Routledge (2019), pp. 158-161, illus.

2018

Kaganskiy, Julia. "New Ways of Seeing and Perceiving." NEURAL. Pimping the Eye, VR Now. Isssue 59 (2018), pp. 6-9, illus.
Kaganskiy, Julia. "Neue Arten des Sehens und der Wahrnemung." Die ungerahmte Welt: Virtuelle Realität als künstlerishes Medium - Exhibition Catalog. Basel, Switzerland: Christoph Merian Verlag (2017), pp. 58-64, illus.

2017

Boisclair, Louise. "Variations connectives de l'installation interactive." Inter, art actuel n°125 - Connectivités. No. 125 (2017), pp. 20-23, illus.
Boucher, Marc. "A Study on Proprioception and Peripheral Vision in Synesthesia and Immersion." Leonardo. Vol. 50 (2) (2017), pp. 144 151 , illus.
Fieldgate, Katherine. "Osmose by Char Davies." Silent Frame - Virtual. John Wadsworth, ed. (2017), illus. [online].
Rafferty, Penny. "Virtual Reality // Healing Practice: An Interview with Char Davies." BERLINARTLINK: The Insider's Guide to Contemporary Art and Culture. Jan. 04, 2017. [online].
Vickers, Ben. "REALITY EXTENDED - Jakob Kudsk Steensen and Katherine Vega in conversation with Ben Vickers." Mousse. #60 (October - November 2017), pp. 238-245, illus.

2016

Fraser, Glen. "Immersed in Restoration: The Legacy Project." La Fressa d'en Glen: Glen Fraser's Blog. Glen Fraser, ed. (Nov. 11, 2016). illus. [online].
"Virtual Reality Is the Most Powerful Medium of Our Time." Artsy. Molly Gottschalk, ed. (March 16th, 2016), illus. [online].
Kwastek, Katja. "Immersed in Reflection? The Aesthetic Experience of Interactive Media Art." Immersion in the Visual Arts and Media. Liptay, Fabienne and Burcu Dogramaci, eds. Leiden, NL: Koninklijke Brill (2016), pp. 66-71, illus.

2013

Stern, Nathaniel. Interactive Art and Embodiment. Canterbury, UK: Gylphi Limited (2013), pp. 33-36, illus.
Svatoňová, Kateřina. "Apendix: vnitřní obrazy ve virtualitě." Odpoutané obrazy: archeologie českého virtuálního prostoru. Praha: Academia (2013), pp. 294-299, illus.

2012

Nick Bailey interview with Char Davies. "Technology at the Service of Art." Creatie. Suzanne van Nierop, ed. Netherlands Vol. 9 (3) (June, 2012), pp. 44-47, illus.
Braddock Clarke, Sarah E. and Harris, Jane. Digital Visions for Fashion and Textiles: Made in Code. New York, NY, US: Thames and Hudson Inc. (2012), pp. 225-226, illus.
Kasbi, Jasmine. "Simulation et Immersion." Les Serious Games: Une Revolution. Luca Venanzi, ed. Belguim: Edi pro (2012), pp. 86-74, illus.
Ramírez González, Margarita. Génesis de una estética de la realidad virtual. Cuidad de México, México: Institutio Nacional de Bellas Artes y Litteratura (2012), pp. 85-88, illus.

2011

Gatti, Gianna Maria. Das Technologische Herbarium. Berlin, Germany: AVINUS Verlag (2011), pp. 196-217, illus.
Malpas, Jeff ed. The Place of Landscape: Concepts, Contexts, Studies. Cambridge, MA, US: The MIT press (2011), pp. 19-22, 26.
Poissant, Louise. " Ombres et effets de présence." Lumières des Lumière. Alain Fleischer, ed. France: Édition Le Fresnoy (2011), pp. 23-40, illus.
Seaman, Bill and Rössler, Otto E. Neosentience | The Benevolence Engine. Chicago, IL, US: The University of Chicago Press (2011), pp. 90, 150, illus.

2010

Gatti, Gianna Maria. The Technological Herbarium. Berlin, Germany: AVINUS verlag (2010), pp. 140-149, illus.
Graham, Beryl and Sandra Cook. Rethinking Curating: Art after New Media. Cambridge, MA, US: The MIT press (2010), pp. 79-80, 97, 101-102, 194-196, illus.
Pageot, Edith-Anne. "Art et nouvelles technologies: Pour un recadrage de la subjectivité humaine par rapport à l'idée de paysage." RACAR, Revue d'art Canadienne | Canadian Art Review. Vol. 35 (1), ON, Canada: University of Victoria Printing Services (2010), pp. 42-53, illus.
Wysocki, Anne Frances. "Unfitting Beauties of Transducing Bodies." Rhetorics and Technologies. Stuart A. Selber, ed. Columbia, SC, US: The University of South Carolina Press (2010), pp. 96-99, 101-102, 110.

2009

Dyson, Frances. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley, CA, US: University of California Press (2009), pp. 107-135, illus.
Nelson, Cami. "From Sfumato to Transarchitectures and Osmose: Leonardo da Vinci's Virtual Reality." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 42 (3) Cambridge, MA, US: The MIT press (2009), pp. 259-264, illus.
Crowther, Paul. Phenomenology of the Visual Arts (even the frame). Stanford, CA, US: Stanford University Press (2009), pp. 153-154, 162-165, illus.
Robert Russett. Hyperanimation: Digital Images and Virtual Worlds. Herts, UK: John Libbey Publishing (2009), pp.172-195, illus.
Saffer, Dan. Designing Gestural Interfaces. Sebastopol, CA, US: O'Reilly Media (2009). pp.155-163, illus.
Shanken, Edward A. ed. Art and Electronic Media. London, UK: Phaidon Press Ltd. (2009), pp. 175, 279, illus.

2008

Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Newcastle, UK: Cambridge Scholars Publishing (2008), pp. 86-96, illus. (Includes interview with Char Davies.)

2007

Angerer, Marie-Luise. Von Begehren nach dem Affekt. Zürich-Berlin, Germany: Diaphanes Verlag (2007), pp. 32-34, illus.
Dixon, Steve. "Virtual Reality: The Search for Immersion". Digital Performance: a history of new media in theater, dance, performance art, and installation. Cambridge, MA, US: The MIT press (2007), pp. 363-378, 392-394, illus.
McDowell, David. "Body Doubles: Kinesthetics and Visual Display in the Aesthetics of Gallery-based Interactive Art." Extensions: The Online Journal of Embodiment and Technology (Interactivity and Kinesthetic Sense). Vol. 3 (2006-2007).
McRobert, Laurie. Char Davies’ Immersive Virtual Art and the Essence of Spatiality. Toronto, ON, Canada: University of Toronto Press (2007), pp. 3-10, illus.
Paterson, Mark. The Senses of Touch. Oxford, UK: Berg (2007), pp. 117-125
Popper, Frank. From Technological to Virtual Art. Cambridge, MA, US: The MIT press (2007), pp. 191-197, illus.
Preston, Joan M. "From Mediated Environments to the Development of Consciousness II." Psychology and the Internet: Intrapersonal, Interpersonal, and Transpersonal Implications, 2nd Edition. Jayne Gackenbach, ed. Burlington, MA, US: Academic Press (2007), pp. 302-303.
Smith, Matthew Wilson. Total immersion: Cyberspace and the total work of art. The Total Work of Art: from Bayreuth to cyberspace. New York, NY, US: Routledge, Taylor & Francis Group (2007), pp. 157-163, 166-169, 185-186, illus.
Sutton, Damian, et al. "Introduction — The State of the Real." The State of the Real: Aesthetics in the Digital Age. Damian Sutton, et al. eds. New York, NY, US: I.B. Tauris & Co Ltd. (2007), pp. 13-14.

2006

Hansen, Mark B. N. "Embodying virtual reality: tactility and self-movement in the work of Char Davies." bodies in code: interfaces with digital media. New York, NY, US: Routledge, Taylor & Francis Group (2006), pp. 107-137, illus.
Holmes, Tiffany. "Environmental Awareness through Eco-visualization: Combining Art and Technology to Promote Sustainability." Reconstruction: Studies in Contemporary Culture. Vol. 6.3 (Summer 2006).
Munster, Anna. materializing new media, embodiment in information aesthetics. Lebanon, NH, US: University Press of New England (2006), p. 111.
Spanou, Ionna and Dimitri Charitos. "Towards defining the “atmosphere” and spatial meaning of virtual environments." Engineering Nature: Art Consciousness in the Post-Biological Era. Roy Ascott, ed. Intellect Books, Bristol, UK: (2006) pp. 145-152, illus.
Thwaites, Hal. "The Immersive Experience of Osmose and Ephémère: An Audience Study." Engineering Nature: Art and Consiousness in the Post-Biological Era. Roy Ascott, ed. Bristol, UK: Intellect Books (2006), pp. 291 - 297.
Wands, Bruce. Art of the Digital Age. New York, NY, US: Thames & Hudson Inc. (2006), pp. 28-30, 104-105, illus.

2005

Bartlem, Edwina. "Reshaping Spectatorship: Immersive and Distributed Aesthetics." Fibreculture Journal: Distributed Aesthetics. (7) (2005) [online].
Bleicher, Steven. Contemporary Color: Theory and Use. Clifton Park, NY, US: Thomsom/Delmar Learning (2005), pp. 157-159, illus.
Bowman, Doug A., et al. 3D User Interfaces: Theory and Practice. Boston, MA, US: Addison-Wesley, Pearson Education (2005), pp. 342-344, illus.
Dekker, Annet and Vivian van Saaze. "Sensational Technologies." Digital Creativity. Vol. 16 (2) New York, NY, US: Routledge, Taylor & Francis Group (2005), pp. 115-121, illus.
Guertin, Carolyn. "Queer Hybrids: Cosmopolitanism and Embodied Arts." Hybrid: Living in Paradox. Ars Electronica 2005. Gerfried Stocker and Christine Schöpf, eds. Osterfildern-Ruit, Germany: Hatje Cantz (2005), pp. 166-169 [online].
Kac, Eduardo. Telepresence & Bio Art: Networking Humans, Rabbits, & Robots. Ann Arbor, MI, US: The University of Michigan Press (2005), pp. 88-92, 101-102, illus.
Krinke, Rebecca. "Landscape of Contemplation." Contemporary Landscapes of Contemplation. New York, NY, US: Routledge, Taylor & Francis Group (2005), pp. 4-9, 11-12 illus.
Rudomin, Isaac, et al. "Water, Temperature and Proximity Sensing for a Mixed Reality Art Installation." Intelligent Technologies for Interactive Entertainment - Proceedings of the First International Conference, INTETAIN 2005. Mark Maybury, Olivero Stock and Wolfgang Wahlster, eds. Berlin, Heidelberg: Springer-Verlag (2005), pp. 155-156.
Thwaites, Hal. "The Immersant Experience of Osmose and Ephémère." 15th International Conference on Artificial Reality and Telexistence. Christchurch, New Zealand: University of Canterbury (2005), pp. 148–155, illus.
Tuer, Dot. "The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère." Mining the Media Archive: essays on art, technology, and cultural resistance. Labossiere, Robert and McKay, Sally, eds. Toronto, ON, Canada: YYZ Books (2005), pp. 19-23.

2004

Andonian, Greg, Shawn Jasmann and Kevork Andorian. "The Info-Tech Revolution in Architecture: From Messages to Meanings." ACTA SYSTEMICA, Journal of the International Institute for Advanced Studies in Systems Research and Cybernetics, Vol. 4, (1) George E. Lasker Ed. Windsor, ON, Canada: I.I.A.S., University of Windsor (2004).
Burnett, Ron. How Images Think. Cambridge, MA, US: The MIT press (2004), pp. 103-106, illus.
Crawford, Ashley. "A Natural Dimension." The Age (January 5, 2004) [online].
Crogan, Patrick. "Freedom from Equipment." CULTURE MACHINE (6) (June 2004).
Grau, Oliver. "Immersion and Interaction - From circular frescoes to interactive image spaces." Medien Kunst Netz / 1. Medienkunst im Überblick - (Media Art Net / 1. Survey of Media Art). Rudolf Frieling and Dieter Daniels, eds. Wien, NY, US: Springer-Verlag (2004), pp. 303-304.
Kalay, Yehuda E. Architecture's New Media. Cambridge, MA, US: The MIT press (2004), pp. 465-470, illus.
Lipkin, Jonathan and Charles H. Traub. In the Realm of the Circuit: Computers, Art and Culture. Upper Saddle River, NJ, US: Pearson Prentice Hall (2004), pp. 269-271, illus.
Lovejoy, Margot. Digital Currents: Art in the Electronic Age. New York, NY, US: Routledge, Taylor & Francis Group (2004), pp. 206-209, illus.
Westergren, Ulrika and Jonsson, Katrin "Gone to the wild: using virtual reality for sensory stimulation." Design and Emotion: The Experience of Everyday Things. Deana McDonagh et al, eds. New York, NY, US: Routledge, Taylor & Francis Group (2004), pp. 200-202.

2003

"Char Davies: Ephémère." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 36 (4) (2003), Front & Back Cover.
Ascott, Roy. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edward A. Shanken, ed. London, UK: University of California Press (2003). pp. 367-368, 370-371, 373-375.
Brew, Kathy. "Through the Looking Glass." Women, Art, and Technology. Judy Malloy, ed. Cambridge, MA, US: The MIT press (2003), pp. 86-101.
Daubner, Ernestine. "From Virtual Reality & Artificial Life to Real Life: The Emergence of Bio-Tech Art." Hybrid Reality: Art, Technology and the Human Factor. Hal Thwaites, ed. (Ninth International Conference on Virtual Systems and Multimedia). International Society on Virtual Systems and Multimedia. Montreal, QC, Canada (2003), pp. 186-193.
Gigliotti, Carol. "Women and the Aesthetics of New Media." trAce, Online Writing Centre (June 20, 2003) [online].
Grau, Oliver. "Charlotte Davies: Osmose." Virtual Art: From Illusion to Immersion. Cambridge, MA, US: The MIT Press (2003), pp. 193-204, 207-211, illus.
Jasmann, Schawn. "Virtual Architecture and the Role of Inscription." Hybrid Reality: Art, Technology and the Human Factor. Hal Thwaites, ed. (Ninth International Conference on Virtual Systems and Multimedia). International Society on Virtual Systems and Multimedia. Montreal, QC, Canada (2003), pp. 422-427, illus.
McMahan, Alison. "Immersion, Engagement, and Presence. A Method for Analyzing 3-D Video Games". The Video Game, Theory Reader. Mark J.P. Wolf and Bernard Perron, eds. New York, NY, US: Routledge, Taylor & Francis Group (2003), pp. 77-78.
Morse, Margaret. "The Poetics of Interactivity." Women, Art, and Technology. Judy Malloy, ed. Cambridge, MA, US: The MIT press (2003), pp. 16-33.
Paul, Christiane. DIGITAL ART. London, UK: Thames & Hudson Ltd. (2003), pp. 125-128, 132, illus.
Sherman, William R. and Alan B. Craig. Understanding Virtual Reality: Interface, Application, and Design. San Francisco, CA, US: Morgan Kaufmann Publishers (2003), pp. 413, 429-431, illus.
Shields, Rob. The Virtual. New York, NY, US: Routledge, Taylor & Francis Group (2003), pp. 54-63, 69-73.
Sofia, Zoë. "Contested Zones: Futurity and Technological Art." Women, Art, and Technology. Judy Malloy, ed. Cambridge, MA, US: The MIT press (2003), pp. 502-522.

2002

Gigliotti, Carol "Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies." Deepwell, Katy, ed. n.paradoxa, international feminist art journal. Vol. 9 (Eco)Logical (2002), pp. 64-73, illus.
Baler, Pablo. "The Doors of Expression: The Work of Art in the Age of Quantum Processing Power." Sculpture: A Publication of the International Sculpture Center. Vol. 21 (4) (May, 2002), pp. 45-51, illus. [online].
Burgess, Marilyn. "Support For New Media Arts In Canada: What Place For Artists?." SideStreet Projects, an online journal (Fall 2002).
Dietz, Steve. "Ten Dreams of Technology." Leonardo, Journal of the International Society for the Arts, Sciences and Technology [Tenth Anniversary New York Digital Salon - Vectors: Digital Art of Our Time]. Vol. 35 (5). Cambridge, MA, US: The MIT press (2002), pp. 509-573 pp. 497 (Jon Ippolito's Selections), pp. 515 (Steve Dietz's Selections).
Flanagan, Mary. "Hyperbodies, hyperknowledge: women in games, women in cyberpunk, and strategies of resistance." RELOAD: rethinking women + cyberculture. Booth, Austin and Mary Flanagan, eds. Cambridge, MA, US: The MIT press (2002), pp. 444-447.
Jones, Stephen. "Breathing/diving/dreaming/dancing BEAP in Perth (you can't buy these emotions off the Hollywood shelf)." Artlink. Vol. 22 (4) (new museums | new art) (December, 2002), pp. 36-37, illus.
Lamm, Bettina. "Explorative Space: Spatial Expression and Experience in Gardens and in VR Works." Virtual Space: Spatiality in Virtual Inhabited 3D Worlds. Lars Qvortrup, ed. New York, NY, US: Springer-Verlag London Limited (2002), pp. 215-237, illus.
O'Donoghue, Karl. "Char Davies and Osmose." YLEM Journal. vol. 21, no. 12 (December 2002), pp. 8-11, illus.
Palmer Sarah. "Immerse Yourself." The West Australian - Today. Friday, August 9, 2002, illus.
Pesce, Mark. "Head Games." Game On. London, UK: Barbican Gallery (May, 2002).
Treadwell, Andrew. "Virtual Transcendence." Oxford, UK: Oxford Brookes University (January, 2002).
Wilson, Stephen. Information Arts: Intersections of art, science, and technology. Cambridge, MA, US: The MIT press (2002), pp. 188, 646, 698, 700-703, 764, illus.
Zelanski, Paul and Mary Pat Fisher. COLOR. London, UK: Laurence King Publishers (August, 2002).

2001

Ackers, Susanne. "Consciousness, Art and Media." Dimensions of Conscious Experience. Paavo Pylkänen and Tere Vadén, eds. Amsterdam/Philadelphia: John Benjamins Publishing Company (2001), pp. 179-189.
Chan, Melanie. "Embodiment, Perception, and Virtual Reality." Cognitive Technology: Instruments of Mind - 4th International Conference, CT 2001 Coventry, UK, August 6-9, 2001 Proceedings. Meurig Beynon, Chrystopher L. Nehaniv and Kerstin Dautenhahn eds. Berlin, Heidelberg: Springer-Verlag (2001), pp. 85-94.
Cutler, Randy Lee. "010101." Canadian a|r|t|. Vol. 18 (3) (Fall 2001), pp. 118-120, illus.
Fencott, Clive. "Comparative Content Analysis of Virtual Environments Using Perceptual Opportunities." Digital Content Creation. Rae Earnshaw and John Vince, eds. London, UK: Springer-Verlag (2001), pp. 25-51.
Forde, K. "Step into the Frame." 010101: Art in Technological Times, exhibition catalog. San Francisco, CA, US: San Francisco Museum of Modern Art (2001), pp. 89-93.
Forde, K. "Electronically motivated - an 010101 online chat." OPEN, The Magazine of SFMOMA. San Francisco, CA, US: San Francisco Museum of Modern Art (2001), pp. 28-38, illus.
Green, Nicola. "Strange yet stylish headgear: Virtual reality consumption and the construction of gender". Virtual Gender: Technology, consumption and identity. Eileen Green and Alison Adam, eds. New York, NY, US: Routledge, Taylor & Francis Group (2001), pp. 151-157.
Hansen, Mark. "Embodying Virtual Reality: Touch and Self-Movement in the work of Char Davies." Critical Matrix: The Princeton Journal of Women, Gender and Culture. Vol. 12 (1-2) Making Sense (2001), pp. 112-147.
Kerckhove, Derrick de. The Architecture of Intelligence. Basel, Switzerland: Birkhauser (2001), p. 52, illus.
Manovich, Lev. The Language of New Media. Cambridge, MA, US: The MIT press (2001), pp. 259-268, 282-283, illus.
Purser, Ron. "The Cultural Aesthetic of Virtual Reality: Simulation or Transparency?." Human Computer Interaction: Issues and Challenges. Qiyang Chen, ed. Hershey, PA, US: Idea Group Publishing (2001), pp. 224-225, 229-231.
Tikka, Heidi. "Affective environments: configuring the affective user?." Cultural Usability project, UIAH Media Lab Helsinki, Finland: UIAH Media Lab (2001) [online].
Weber, John S. "Beyond the Saturation Point: The Zeitgeist in the Machine." 010101: Art in Technological Times, exhibition catalog. San Francisco, CA, US: San Francisco Museum of Modern Art (2001), pp. 15-23.
Wertheim, Margaret. "Worlds Apart: Realities, virtual and otherwise." LA Weekly (May 18-24, 2001), p. 37, illus.

2000

Banville, Annie-Claude. "La polysensorialité dans Osmose de Char Davies." [colloque] Jeunes chercheurs du CELAT Université du Québec à Montréal (May 3-5, 2000).
Grau, Oliver. "Verlust des Zeugen: Das lebendige Werk." METAMORPHOSEN: Gedächtnismedien im Computerzeltalter (Sonderdruck). Stuttgart, Germany: frommann-holzboog (2000), pp. 101-121, illus.
Hunt, Royden. "Being @ Installations: the space-time of technoetics." Art, Technology, Consciousness: mind@large. Roy Ascott, ed. Bristol, UK and Portland, OR, US: Intellect Books (2000), pp. 144 - 148.
Jones, Stephen. "Towards a Philosophy of Virtual Reality: Issues Implicit in 'Consciousness Reframed' ." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 33 (2) (2000), pp. 125-132.
Lyall, Marta. "Traversing the Wilderness of Body." Shifting Ground: Transformed Views of the American Landscape. Rhonda Lane Howard, ed. Seattle, WA, US: Henry Art Gallery, University of Washington (2000), pp. 54-55, illus.
Napier, JoAnn, Denise Shortt and Emma Smith. "Culture: Char Davies, Virtual Artist." Technology with Curves: Women Reshaping the Digital Landscape. Toronto, ON, Canada: Harper Collins Publishers Ltd (2000).
Pesce, Mark. The Playful World: How Technology Is Transforming Our Imagination. New York, NY, US: Ballentine Books (2000), pp. 248-255, 267.

1999

Fisher, Jennifer. "Char Davies." Parachute (April, May, June, 1999), pp. 53-54, illus.
Grau, Oliver. "Into the Belly of the Image: Historical Aspects of Virtual Reality." Leonardo, Journal of the International Society for the Arts, Sciences and Technology.. Vol. 32 (5) (1999), pp. 365-371, illus.
Kac, Eduardo. "Beyond the Screen: New Directions in Interactive Art." Blimp: Film Magazine. (40) (1999), pp. 49-54, illus.
Laurel, Brenda. "When Computers Become Human." Talking back to the Machine: Computers and Human Aspiration. Peter J. Denning, ed. New York, NY, US: Copernicus/Springer-Verlag (1999), pp. 106-107.
McRobert, Laurie. "Immersive Computer Art and the Making of Consciousness." Reframing Consciousness. Roy Ascott, ed. Exeter, UK and Portland, OR, US: Intellect Books (1999), pp. 32-37.
O'Donoghue, Karl. "The Real and the Virtual: Char Davies." Art Bulletin, Vol. 16 (87) (June/July, 1999), pp. 22-24, illus.
O'Donoghue, Karl. "Virtual Ecology: the Work of Char Davies." Thought Lines 3: An Anthology of Research. Paul O'Brien, ed. Dublin, Ireland: National College of Art and Design (1999), pp. 284-294.
Rajah, Niranjan. "The Representation of a New Cosmology: Immersive Virtual Reality and the Integration of Epistomologies." Invenção: Thinking the Next Millenium. São Paolo, Brazil: ITAÚ Cultural, CAiiA - STAR, ISEA, Leonardo / ISAST (1999).
Ray, Stephanie. "The Collectibility of Nature." Limn - Magazine of International Design. Vol. 1 (4) (1999), pp. 12-13, illus.
Spalter, Anne M. The Computer in the Visual Arts. Boston, MA, US: Addison-Wesley (1999), pp. 31, 249-250, 314, 363-364, 407, illus.
Wertheim, Margaret. "Out of This World." New Scientist. Vol. 161 (2172) (February 6, 1999), pp. 38-41, illus.
Whitelaw, Mitchell. "Virtual futures for new media art." Artlink. Vol. 19 (2) (1999), p. 53.

1998

Anders, Peter. Envisioning Cyberspace: Designing 3D Electronic Spaces. New York, NY, US: McGraw-Hill (1998), pp. 187-188.
Brew, Kathy. "Digital Portfolio - Char Davies." Civilization: The Magazine of the Library of Congress. Vol. 5 (5) (October/November 1998), p. 79, illus.
Cobb, Jennifer. Cybergrace: The Search for God in the Digital World. New York, NY, US: Crown Publishers (1998), pp. 186-199.
Davis, Erik. Techgnosis: Myth, Magic + Mysticism in the Age of Information. New York, NY, US: Harmony Books (1998), pp. 56-57.
Gagnon, Jean. "Dionysus and Reverie: Immersion in Char Davies' Environments." Char Davies: Ephémère, exhibition catalog. Ottawa, ON, Canada: National Gallery of Canada (1998). Disponible en français
Goldberg, Ken. "Virtual Reality in the Age of Telepresence." Convergence. Vol. 4 (1) (1998), pp. 33-37.
Goldstein, Jon. "Silicon and Acorns." TIME digital. (October 5, 1998), p. 16, illus.
Heim, Michael. Virtual Realism. Oxford, UK: Oxford University Press (1998), pp. 162-167, 171.
Kac, Eduardo. "Além da Tela." Veredas. Vol. 3 (32). Rio de Janeiro, Brazil (1998), pp. 12-15 [online].
King, Charles. "Char Davies and Ephémère." Silicon Graphics Online. (October, 1998).
Klonaris, Maria and Katerina Thomadaki. Pour une Écologie des Media: Art, Cinema, Video, Ordinateur. Paris, France: A.S.T.A.R.T.I (1998), pp. 112 - 113.
Mayor Zaragoza, Federico. "El agua: un desafÍo." Atlántica Internacional - Revista de las artes.. Número 20. (Primavera 1998), pp. 23 - 29, illus.
McDonagh, Patrick. "Char Davies' Ephémère." Softimage Online. (1998).
Mirapaul, Matthew. "An Intense Dose of Virtual Reality." The New York Times Online. (July 9, 1998) [online].
Morse, Margaret. Virtualities: Television, Media Art and Cyberculture. Bloomington, IN, US: Indiana University Press (1998), pp. 208-211, illus.
Pesce, Mark. "3-D Epiphany." Salon Magazine (July 13, 1998).
Tuer, Dot. "The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies' Ephémère." Char Davies: Ephémère, exhibition catalog. Ottawa, ON, US: National Gallery of Canada (1998). Disponible en français.

1997

"Osmose". Momiento Actual - Año X (novembre - décembre, 1997), pp. 42-43, illus.
"Osmose (1994-1995)." Exhibition catalog Museo de Monterey." Monterrey, Mexico (1997), pp. 62-65, illus. Disponible en Español
Carlisle, Isabel. "Games with a Magic Edge." The London Times, Arts section (June, 1997), p. 39.
Faber, Liz. "Games that People Play." Creative Review: London. (August, 1997).
Godwin, Nicola. "Tripping on the light fantastic." The London Daily Telegraph. (June, 1997), pp. 12-13, illus.
Grau, Oliver. "Kunstler für fünf Minuten." c't – Magazin für Computertechnik. Vol. 6 (June, 1997), pp. 104-106, 108, illus.
Grau, Oliver. "In das lebendige Bild: Die Virtuelle Realität setzt der Kunst neue Spielregeln." Neue Bildende Kunst. (6) (1997), pp. 28-35, illus.
Grau, Oliver. "Vom Zen des Tauchens.." Die Zeit. (26) (June 20, 1997), p. 62, illus.
Langlois, Monique. "La nature dans l'art." ETC Montreal. (38) (Summer 1997), pp. 17-21, illus.
Lévy, Pierre. Cyberculture - Rapport au Conseil de l'Europe. Paris, France: Éditions Odile Jacob (1997).
Machuca, Marcela García. "...Y es sólo el principio.." El Norte. (Sàbado 8 de Novembre 1997), Sección D, illus.
McClellan, Jim. "The Amazing Technicolor Dream Float." Esquire (UK), (June, 1997), p. 60, illus.
Morley, Andrew. "Serious Games." Contemporary Visual Arts. (15) (1997), p. 66, illus.
Morse, Margaret. "Virtually Female: Body and Code." Processed Lives: Gender and Technology in Everyday Life. Jennifer Terry and Melodie Calvert, eds. New York, NY, US: Routledge, Taylor & Francis Group (1997).
O'Brien, Paul. "Sensing the Future - Conference." Circa. (80) (Summer 1997), p. 44.
Ohlenschläger, Karin. "Virtual Art - Plural Reality." Exhibition catalog Museo de Monterey." Monterrey, Mexico (1997), pp. 12-21. Disponible en Español
Paterson, Nancy. "Technology ≠ Art." Fuse. Vol. 20 (5) (1997), pp. 43-45, illus.
Pearce, Celia. The Interactive Book: A Guide To The Interactive Revolution. Indianapolis, IN, US: MacMillan Technical Publishing (1997), pp. 501-503, illus.
Reid, Robert H. Architects of the Web. New York, NY, US: John Wiley & Sons (1997), pp. 201-204.
Wertheim, Margaret. "Virtual Ecology." Yes! (2) (Spring 1997), pp. 52-54, illus.

1996

Bardini, Thierry. "Quand l'imaginaire deviens réalite virtuelle." Interface: La Revue de la Recherche. Vol 12 (6) (Winter 1996), pp. 50-55, illus.
Borsook, Paulina "The Art of Virtual Reality." IRIS Universe. Vol. 36 (4) (Summer, 1996), pp. 36-40, illus.
Craver, Carole Lee. "Char Davies' Osmose." SGI Animator. Vol. 1 (2) (1996), pp. 15-18, illus.
D'Amato, Brian "Virtual Kitsch." Artforum International. Vol. 34 (5) (January 1996), pp. 35-36, illus.
Davis, Erik. "Osmose." Wired. Vol. 4 (8) (August, 1996), pp. 138-140, 190-192, illus. [online].
Deléage, Jean-Rémi. "Premiers pas dans la transparence." Sciences et Avenir. (591) (May, 1996), p. 82, illus.
Dove, Kelly. "Year in Review, Wired for 3D: Best of 96." 3D Design. Vol. 2 (12) (December, 1996), pp. 31-32, illus.
Dyson, Frances. "Charged Havens." WorldArt. (3) (Fall 1996), pp. 42-47, illus.
Graham, Beryl. "Not a show about new technology, a show about interaction." Curator's statement in Serious Games: Art/Interaction/Technology, exhibition catalog. London, UK: Barbican Art Gallery / Newcastle Upon Tyne, UK: Laing Art Gallery (1996), pp. 6-9, 26-28, illus.
Hamilton, Anita. "Rediscovering Nature with a Head-set." CNET.com. (January, 1996).
Klaus, François. "Osmose-toi si tu l'oses!" Interactif. (9) (May, 1996), pp. 94-95, illus.
Lunenfeld, Peter. "Char Davies." Art + Text. (53) (1996), pp. 82-83, illus.
Mattei, Maria G. "Fino All'Ultimo Respiro." Virtual. Vol. 4 (32) (June, 1996), pp. 36-38, illus.
McClellan, Jim. "A breath of fresh art." The Guardian. UK (November 21, 1996), pp. 16-17, illus.
McRobert, Laurie. "Virtual Reality and the Dynamics of Transcendence." Explorations: Journal for Adventurous Thought. Vol. 15 (1) (Fall 1996).
Pesce, Mark. "Osmose en Ik." Wave. (17) (March-April, 1996), pp. 44-47, illus.
Porter, Stephen. "A Strange and Wonderful Journey into VR." Computer Graphics World: Userfocus. (October, 1996), pp.59-60, illus.
Porter, Stephen M. "Expanding the VR Aesthetic." Computer Graphics World. Vol. 19 (7) (July, 1996), p. 4.
Quinty, Marie. "Char Davies, la bohème high tech." Magazine Affaires Plus. Vol. 19 (2) (mars 1996), pp. 25-27, illus.
Rutledge, Virginia. "Reality by Other Means." Art in America. Vol. 84 (6) (June, 1996), pp. 38-39, illus.
Schutze, Bernard. "La Tentation de la techno-mystique." Inter Art Actuel. (Winter 1996), p. 25, illus.
Sims, David. "Osmose: Is VR Supposed to be This Relaxing?" Computer Graphics and Applications (IEEE Computer Society). Vol. 16 (6) (November, 1996), pp. 4-5, illus.
Street, Rita. "The Creative Future." Daily Variety: Spotlight. (August 2, 1996), pp. 30-35, illus.
Wertheim, Margaret. "Virtual Nature: Osmose - Char Davies' Organo-Virtual Odyssey." Metropolis. (September, 1996), pp. 58-61, illus.
Wertheim, Margaret. "Lux Interior." C21: Scanning the Future. (4) (1996), pp. 26-31, illus.

1995

Allen, Carl. "Trois œuvres Montréalaises font l'évènement." Qui fait quoi. (140) (novembre - décembre 1995), pp. 12-13, illus.
Aziosmanoff, Florent. "Osmose l'univers de Char Davies." NOV’ART. (18) (octobre, 1995), p. 12 illus. Available in English.
Bernier, Robert. "Char Davies: L'Espace Immersif Espace Perceptif." L'informateur des Arts. Vol. 2 (1) (Fall 1995), pp. 58-60, illus. Available in English.
Bureaud, Annick. "Leonardo Digital Reviews." Leonardo Electronic Almanac. Vol. 3 (11) (1995).
Cloutier, Mario. "Hallucinations poétics sans drogue et sans alcool...." Le Devoir. Vol. 86 (195) (Août 22, 1995), pp. 1,8, illus.
Cron, Marie-Michèle. "Au-delà du réel." VOIR Montréal. (31 août au 6 septembre 1995), illus.
Faure-Walker, James "The Outside Inside of Techno Art: Siggraph 95 and ISEA Montreal." MUTE - digital artcritique: Code Issue. Vol. 1 (3) (Autumn 1995).
Grant Marchand, Sandra. "Char Davies: Osmose." Project Series, exhibition catalog Musée d'art contemporain de Montréal. (18) (1995). Available in English
Gravel, Pauline "La synthèse d'images." Résonance (9) (Octobre 1995) pp. 8 - 13, illus.
Le Grand, Jéan-Pierre. "Char Davies plonge dans la réalité virtuelle." La Presse. (Août 19, 1995), p. D-12.
Jones, Mark J. "Char Davies: VR Through Osmosis." Cyberstage. Vol. 2 (1) (Fall 1995), pp. 24-28, illus.
Lang, Curtis. ""code"DEPENDENTS." Time Out New York. (October 25 - November 1, 1995), p unknown
Le Grand, Jean-Pierre. "Char Davies: Osmose du virtuel au naturel." Vie des Arts. Vol. 39 (160) (Fall 1995), pp. 27-29, illus. Available in English.
McGorry, Ken. "Virtual nature walk." POST. Vol. 10 (12) (December 15, 1995), pp. 8, 32, illus.
Neesham, Claire. "Take The Plunge into Virtual Art." New Scientist (2006) (December 2, 1995), p. 26.
Thibaudeau, Carole. "Réalité virtuelle et cyber-malaises : les vertiges et nausées sont réels." La Presse. (samedi 2 septembre 1995), p. A15
Weintraub, Annette. "Artifice, Artifact: The Landscape of the Constructed Digital Environment." LEONARDO. Vol. 28 (5) (1995), pp. 361-367, illus.

1994

Faure Walker, James. "Art and the Intelligent Lunch Box." Modern Painters. Vol. 8 (1) (Winter 1994), pp. 76-79, illus.
Robertson, Barbara. "Computer Artist Char Davies." Computer Artist. Vol. 3 (2) (February/March, 1994), pp. 16-20, illus.

1993

"Visual Proceedings: the Art & Interdisciplinary Programs of SIGGRAPH 93" (Revised Second Printing). SIGGRAPH 93. Thomas E. Lineham, ed. New York, NY: ACM (1993), p. 95, illus.
Herken, Rolf. "Jury statement." Der Prix Ars Electronica 93: International Compendium of the Computer Arts. Dr. Christine Schöpf, Christian Schenk and Paul Pritchard, eds. Linz, Austria: VERITAS-VERLAG (1993), p. 18.
Pfitzer, Gary. "Interior Depths." Computer Graphics World. Vol. 16 (8) (August 1993), pp. 62-63, illus.

1992

"The Art and Science of Computer Graphics." Visual Proceedings SIGGRAPH 92. John Grimes and Gray Lorig, eds. New York, NY: ACM (1992), p. 95, illus.
Nagata, Tomoyuki (長田智行), ed. Computer Graphics Art Work. Tokyo, Japan: Graphic-Sha Publishing Company Ltd. (1992), pp. 5, 28, illus.

1991

Kerlow, Isaac Victor. "Computers in Art and Design." SIGGRAPH '91, exhibition catalog. Isaac Victor Kerlow, ed. New York, NY: ACM (1991), pp. 6 - 9, 36, 39, illus.
Robertson, Barbara "Painting in 3D." Computer Graphics World Vol. 14 (10) (October 1991), pp. 39 - 45, illus.