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"Char Davies: Ephémère." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 36 (4) (2003), Front & Back Cover.

Gigliotti, Carol "Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies." Deepwell, Katy, ed. n.paradoxa, international feminist art journal. Vol. 9 (Eco)Logical (2002), pp. 64-73, illus.

"Osmose". Momiento Actual - Año X (novembre - décembre, 1997), pp. 42-43, illus.

"Osmose (1994-1995)." Exhibition catalog Museo de Monterey." Monterrey, Mexico (1997), pp. 62-65, illus. Disponible en Español

"Visual Proceedings: the Art & Interdisciplinary Programs of SIGGRAPH 93" (Revised Second Printing). SIGGRAPH 93. Thomas E. Lineham, ed. New York, NY: ACM (1993), p. 95, illus.

Ackers, Susanne. "Consciousness, Art and Media." Dimensions of Conscious Experience. Paavo Pylkänen and Tere Vadén, eds. Amsterdam/Philadelphia: John Benjamins Publishing Company (2001), pp. 179-189.

Allen, Carl. "Trois œuvres Montréalaises font l'évènement." Qui fait quoi. (140) (novembre - décembre 1995), pp. 12-13, illus.

Anders, Peter. Envisioning Cyberspace: Designing 3D Electronic Spaces. New York, NY, US: McGraw-Hill (1998), pp. 187-188.

Andonian, Greg, Shawn Jasmann and Kevork Andorian. "The Info-Tech Revolution in Architecture: From Messages to Meanings." ACTA SYSTEMICA, Journal of the International Institute for Advanced Studies in Systems Research and Cybernetics, Vol. 4, (1) George E. Lasker Ed. Windsor, ON, Canada: I.I.A.S., University of Windsor (2004).

Angerer, Marie-Luise. Von Begehren nach dem Affekt. Zürich-Berlin, Germany: Diaphanes Verlag (2007), pp. 32-34, illus.

Ascott, Roy. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edward A. Shanken, ed. London, UK: University of California Press (2003). pp. 367-368, 370-371, 373-375.

Aziosmanoff, Florent. "Osmose l'univers de Char Davies." NOV’ART. (18) (octobre, 1995), p. 12 illus. Available in English.

Nick Bailey interview with Char Davies. "Technology at the Service of Art." Creatie. Suzanne van Nierop, ed. Netherlands Vol. 9 (3) (June, 2012), pp. 44-47, illus.

Baler, Pablo. "The Doors of Expression: The Work of Art in the Age of Quantum Processing Power." Sculpture: A Publication of the International Sculpture Center. Vol. 21 (4) (May, 2002), pp. 45-51, illus. [online].

Banville, Annie-Claude. "La polysensorialité dans Osmose de Char Davies." [colloque] Jeunes chercheurs du CELAT Université du Québec à Montréal (May 3-5, 2000).

Bardini, Thierry. "Quand l'imaginaire deviens réalite virtuelle." Interface: La Revue de la Recherche. Vol 12 (6) (Winter 1996), pp. 50-55, illus.

Bartlem, Edwina. "Reshaping Spectatorship: Immersive and Distributed Aesthetics." Fibreculture Journal: Distributed Aesthetics. (7) (2005) [online].

Bernier, Robert. "Char Davies: L'Espace Immersif Espace Perceptif." L'informateur des Arts. Vol. 2 (1) (Fall 1995), pp. 58-60, illus. Available in English.

Bleicher, Steven. Contemporary Color: Theory and Use. Clifton Park, NY, US: Thomsom/Delmar Learning (2005), pp. 157-159, illus.

Boisclair, Louise. "Variations connectives de l'installation interactive." Inter, art actuel n°125 - Connectivités. No. 125 (2017), pp. 20-23, illus.

Borsook, Paulina "The Art of Virtual Reality." IRIS Universe. Vol. 36 (4) (Summer, 1996), pp. 36-40, illus.

Boucher, Marc. "A Study on Proprioception and Peripheral Vision in Synesthesia and Immersion." Leonardo. Vol. 50 (2) (2017), pp. 144 151 , illus.

Bowman, Doug A., et al. 3D User Interfaces: Theory and Practice. Boston, MA, US: Addison-Wesley, Pearson Education (2005), pp. 342-344, illus.

Braddock Clarke, Sarah E. and Harris, Jane. Digital Visions for Fashion and Textiles: Made in Code. New York, NY, US: Thames and Hudson Inc. (2012), pp. 225-226, illus.

Brew, Kathy. "Through the Looking Glass." Women, Art, and Technology. Judy Malloy, ed. Cambridge, MA, US: The MIT press (2003), pp. 86-101.

Brew, Kathy. "Digital Portfolio - Char Davies." Civilization: The Magazine of the Library of Congress. Vol. 5 (5) (October/November 1998), p. 79, illus.

Bureaud, Annick. "Leonardo Digital Reviews." Leonardo Electronic Almanac. Vol. 3 (11) (1995).

Burgess, Marilyn. "Support For New Media Arts In Canada: What Place For Artists?." SideStreet Projects, an online journal (Fall 2002).

Burnett, Ron. How Images Think. Cambridge, MA, US: The MIT press (2004), pp. 103-106, illus.

Carlisle, Isabel. "Games with a Magic Edge." The London Times, Arts section (June, 1997), p. 39.

Chan, Melanie. "Embodiment, Perception, and Virtual Reality." Cognitive Technology: Instruments of Mind - 4th International Conference, CT 2001 Coventry, UK, August 6-9, 2001 Proceedings. Meurig Beynon, Chrystopher L. Nehaniv and Kerstin Dautenhahn eds. Berlin, Heidelberg: Springer-Verlag (2001), pp. 85-94.

Cloutier, Mario. "Hallucinations poétics sans drogue et sans alcool...." Le Devoir. Vol. 86 (195) (Août 22, 1995), pp. 1,8, illus.

Cobb, Jennifer. Cybergrace: The Search for God in the Digital World. New York, NY, US: Crown Publishers (1998), pp. 186-199.

Craver, Carole Lee. "Char Davies' Osmose." SGI Animator. Vol. 1 (2) (1996), pp. 15-18, illus.

Crawford, Ashley. "A Natural Dimension." The Age (January 5, 2004) [online].

Crogan, Patrick. "Freedom from Equipment." CULTURE MACHINE (6) (June 2004).

Cron, Marie-Michèle. "Au-delà du réel." VOIR Montréal. (31 août au 6 septembre 1995), illus.

Crowther, Paul. Digital Art, Aesthetic Creation. The Birth of a Medium. New York, NY, US: Routledge (2019), pp. 158-161, illus.

Cutler, Randy Lee. "010101." Canadian a|r|t|. Vol. 18 (3) (Fall 2001), pp. 118-120, illus.

D'Amato, Brian "Virtual Kitsch." Artforum International. Vol. 34 (5) (January 1996), pp. 35-36, illus.

Daubner, Ernestine. "From Virtual Reality & Artificial Life to Real Life: The Emergence of Bio-Tech Art." Hybrid Reality: Art, Technology and the Human Factor. Hal Thwaites, ed. (Ninth International Conference on Virtual Systems and Multimedia). International Society on Virtual Systems and Multimedia. Montreal, QC, Canada (2003), pp. 186-193.

Davis, Erik. Techgnosis: Myth, Magic + Mysticism in the Age of Information. New York, NY, US: Harmony Books (1998), pp. 56-57.

Davis, Erik. "Osmose." Wired. Vol. 4 (8) (August, 1996), pp. 138-140, 190-192, illus. [online].

Dekker, Annet and Vivian van Saaze. "Sensational Technologies." Digital Creativity. Vol. 16 (2) New York, NY, US: Routledge, Taylor & Francis Group (2005), pp. 115-121, illus.

Deléage, Jean-Rémi. "Premiers pas dans la transparence." Sciences et Avenir. (591) (May, 1996), p. 82, illus.

Dietz, Steve. "Ten Dreams of Technology." Leonardo, Journal of the International Society for the Arts, Sciences and Technology [Tenth Anniversary New York Digital Salon - Vectors: Digital Art of Our Time]. Vol. 35 (5). Cambridge, MA, US: The MIT press (2002), pp. 509-573 pp. 497 (Jon Ippolito's Selections), pp. 515 (Steve Dietz's Selections).

Dixon, Steve. "Virtual Reality: The Search for Immersion". Digital Performance: a history of new media in theater, dance, performance art, and installation. Cambridge, MA, US: The MIT press (2007), pp. 363-378, 392-394, illus.

Dove, Kelly. "Year in Review, Wired for 3D: Best of 96." 3D Design. Vol. 2 (12) (December, 1996), pp. 31-32, illus.

Dyson, Frances. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley, CA, US: University of California Press (2009), pp. 107-135, illus.

Dyson, Frances. "Charged Havens." WorldArt. (3) (Fall 1996), pp. 42-47, illus.

Faber, Liz. "Games that People Play." Creative Review: London. (August, 1997).

Faure Walker, James. "Art and the Intelligent Lunch Box." Modern Painters. Vol. 8 (1) (Winter 1994), pp. 76-79, illus.

Faure-Walker, James "The Outside Inside of Techno Art: Siggraph 95 and ISEA Montreal." MUTE - digital artcritique: Code Issue. Vol. 1 (3) (Autumn 1995).

Fencott, Clive. "Comparative Content Analysis of Virtual Environments Using Perceptual Opportunities." Digital Content Creation. Rae Earnshaw and John Vince, eds. London, UK: Springer-Verlag (2001), pp. 25-51.

Fieldgate, Katherine. "Osmose by Char Davies." Silent Frame - Virtual. John Wadsworth, ed. (2017), illus. [online].

Fisher, Jennifer. "Char Davies." Parachute (April, May, June, 1999), pp. 53-54, illus.

Flanagan, Mary. "Hyperbodies, hyperknowledge: women in games, women in cyberpunk, and strategies of resistance." RELOAD: rethinking women + cyberculture. Booth, Austin and Mary Flanagan, eds. Cambridge, MA, US: The MIT press (2002), pp. 444-447.

Forde, K. "Step into the Frame." 010101: Art in Technological Times, exhibition catalog. San Francisco, CA, US: San Francisco Museum of Modern Art (2001), pp. 89-93.

Forde, K. "Electronically motivated - an 010101 online chat." OPEN, The Magazine of SFMOMA. San Francisco, CA, US: San Francisco Museum of Modern Art (2001), pp. 28-38, illus.

Fraser, Glen. "Immersed in Restoration: The Legacy Project." La Fressa d'en Glen: Glen Fraser's Blog. Glen Fraser, ed. (Nov. 11, 2016). illus. [online].

Gagnon, Jean. "Dionysus and Reverie: Immersion in Char Davies' Environments." Char Davies: Ephémère, exhibition catalog. Ottawa, ON, Canada: National Gallery of Canada (1998). Disponible en français

Gatti, Gianna Maria. Das Technologische Herbarium. Berlin, Germany: AVINUS Verlag (2011), pp. 196-217, illus.

Gatti, Gianna Maria. The Technological Herbarium. Berlin, Germany: AVINUS verlag (2010), pp. 140-149, illus.

Gibson, Steve. "Immersive Environments and Live Visuals." Live Visuals – History, Theory, Practice. Steve Gibson, Stefan Arizona, Donna Leishman and Atau Tanaka, eds. New York, NY, USA: Routledge (2023), pp. 322-323, illus.

Gigliotti, Carol. "Women and the Aesthetics of New Media." trAce, Online Writing Centre (June 20, 2003) [online].

Godwin, Nicola. "Tripping on the light fantastic." The London Daily Telegraph. (June, 1997), pp. 12-13, illus.

Goldberg, Ken. "Virtual Reality in the Age of Telepresence." Convergence. Vol. 4 (1) (1998), pp. 33-37.

Goldstein, Jon. "Silicon and Acorns." TIME digital. (October 5, 1998), p. 16, illus.

"Virtual Reality Is the Most Powerful Medium of Our Time." Artsy. Molly Gottschalk, ed. (March 16th, 2016), illus. [online].

Graham, Beryl. "Not a show about new technology, a show about interaction." Curator's statement in Serious Games: Art/Interaction/Technology, exhibition catalog. London, UK: Barbican Art Gallery / Newcastle Upon Tyne, UK: Laing Art Gallery (1996), pp. 6-9, 26-28, illus.

Graham, Beryl and Sandra Cook. Rethinking Curating: Art after New Media. Cambridge, MA, US: The MIT press (2010), pp. 79-80, 97, 101-102, 194-196, illus.

Grant Marchand, Sandra. "Char Davies: Osmose." Project Series, exhibition catalog Musée d'art contemporain de Montréal. (18) (1995). Available in English

Grau, Oliver. "Immersion and Interaction - From circular frescoes to interactive image spaces." Medien Kunst Netz / 1. Medienkunst im Überblick - (Media Art Net / 1. Survey of Media Art). Rudolf Frieling and Dieter Daniels, eds. Wien, NY, US: Springer-Verlag (2004), pp. 303-304.

Grau, Oliver. "Charlotte Davies: Osmose." Virtual Art: From Illusion to Immersion. Cambridge, MA, US: The MIT Press (2003), pp. 193-204, 207-211, illus.

Grau, Oliver. "Verlust des Zeugen: Das lebendige Werk." METAMORPHOSEN: Gedächtnismedien im Computerzeltalter (Sonderdruck). Stuttgart, Germany: frommann-holzboog (2000), pp. 101-121, illus.

Grau, Oliver. "Into the Belly of the Image: Historical Aspects of Virtual Reality." Leonardo, Journal of the International Society for the Arts, Sciences and Technology.. Vol. 32 (5) (1999), pp. 365-371, illus.

Grau, Oliver. "Kunstler für fünf Minuten." c't – Magazin für Computertechnik. Vol. 6 (June, 1997), pp. 104-106, 108, illus.

Grau, Oliver. "In das lebendige Bild: Die Virtuelle Realität setzt der Kunst neue Spielregeln." Neue Bildende Kunst. (6) (1997), pp. 28-35, illus.

Grau, Oliver. "Vom Zen des Tauchens.." Die Zeit. (26) (June 20, 1997), p. 62, illus.

Gravel, Pauline "La synthèse d'images." Résonance (9) (Octobre 1995) pp. 8 - 13, illus.

Green, Nicola. "Strange yet stylish headgear: Virtual reality consumption and the construction of gender". Virtual Gender: Technology, consumption and identity. Eileen Green and Alison Adam, eds. New York, NY, US: Routledge, Taylor & Francis Group (2001), pp. 151-157.

"The Art and Science of Computer Graphics." Visual Proceedings SIGGRAPH 92. John Grimes and Gray Lorig, eds. New York, NY: ACM (1992), p. 95, illus.

Guertin, Carolyn. "Queer Hybrids: Cosmopolitanism and Embodied Arts." Hybrid: Living in Paradox. Ars Electronica 2005. Gerfried Stocker and Christine Schöpf, eds. Osterfildern-Ruit, Germany: Hatje Cantz (2005), pp. 166-169 [online].

Hamilton, Anita. "Rediscovering Nature with a Head-set." CNET.com. (January, 1996).

Hansen, Mark. "Embodying Virtual Reality: Touch and Self-Movement in the work of Char Davies." Critical Matrix: The Princeton Journal of Women, Gender and Culture. Vol. 12 (1-2) Making Sense (2001), pp. 112-147.

Hansen, Mark B. N. "Embodying virtual reality: tactility and self-movement in the work of Char Davies." bodies in code: interfaces with digital media. New York, NY, US: Routledge, Taylor & Francis Group (2006), pp. 107-137, illus.

Heim, Michael. Virtual Realism. Oxford, UK: Oxford University Press (1998), pp. 162-167, 171.

Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Newcastle, UK: Cambridge Scholars Publishing (2008), pp. 86-96, illus. (Includes interview with Char Davies.)

Herken, Rolf. "Jury statement." Der Prix Ars Electronica 93: International Compendium of the Computer Arts. Dr. Christine Schöpf, Christian Schenk and Paul Pritchard, eds. Linz, Austria: VERITAS-VERLAG (1993), p. 18.

Himmelsbach, Sabine. "Unbounded Spaces – Immersive Virtualities." Resonant Realities, Exhibition Catalog. Berlin, Germany: Haus am Lützowplatz (2021), pp. 20-25, illus.

Holmes, Tiffany. "Environmental Awareness through Eco-visualization: Combining Art and Technology to Promote Sustainability." Reconstruction: Studies in Contemporary Culture. Vol. 6.3 (Summer 2006).

Hunt, Royden. "Being @ Installations: the space-time of technoetics." Art, Technology, Consciousness: mind@large. Roy Ascott, ed. Bristol, UK and Portland, OR, US: Intellect Books (2000), pp. 144 - 148.

Jasmann, Schawn. "Virtual Architecture and the Role of Inscription." Hybrid Reality: Art, Technology and the Human Factor. Hal Thwaites, ed. (Ninth International Conference on Virtual Systems and Multimedia). International Society on Virtual Systems and Multimedia. Montreal, QC, Canada (2003), pp. 422-427, illus.

Le Grand, Jéan-Pierre. "Char Davies plonge dans la réalité virtuelle." La Presse. (Août 19, 1995), p. D-12.

Jones, Mark J. "Char Davies: VR Through Osmosis." Cyberstage. Vol. 2 (1) (Fall 1995), pp. 24-28, illus.

Jones, Stephen. "Breathing/diving/dreaming/dancing BEAP in Perth (you can't buy these emotions off the Hollywood shelf)." Artlink. Vol. 22 (4) (new museums | new art) (December, 2002), pp. 36-37, illus.

Jones, Stephen. "Towards a Philosophy of Virtual Reality: Issues Implicit in 'Consciousness Reframed' ." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 33 (2) (2000), pp. 125-132.

Kac, Eduardo. Telepresence & Bio Art: Networking Humans, Rabbits, & Robots. Ann Arbor, MI, US: The University of Michigan Press (2005), pp. 88-92, 101-102, illus.

Kac, Eduardo. "Beyond the Screen: New Directions in Interactive Art." Blimp: Film Magazine. (40) (1999), pp. 49-54, illus.

Kac, Eduardo. "Além da Tela." Veredas. Vol. 3 (32). Rio de Janeiro, Brazil (1998), pp. 12-15 [online].

Kaganskiy, Julia. "New Ways of Seeing and Perceiving." NEURAL. Pimping the Eye, VR Now. Isssue 59 (2018), pp. 6-9, illus.

Kaganskiy, Julia. "Neue Arten des Sehens und der Wahrnemung." Die ungerahmte Welt: Virtuelle Realität als künstlerishes Medium - Exhibition Catalog. Basel, Switzerland: Christoph Merian Verlag (2017), pp. 58-64, illus.

Kalay, Yehuda E. Architecture's New Media. Cambridge, MA, US: The MIT press (2004), pp. 465-470, illus.

Kasbi, Jasmine. "Simulation et Immersion." Les Serious Games: Une Revolution. Luca Venanzi, ed. Belguim: Edi pro (2012), pp. 86-74, illus.

Kerckhove, Derrick de. The Architecture of Intelligence. Basel, Switzerland: Birkhauser (2001), p. 52, illus.

Kerlow, Isaac Victor. "Computers in Art and Design." SIGGRAPH '91, exhibition catalog. Isaac Victor Kerlow, ed. New York, NY: ACM (1991), pp. 6 - 9, 36, 39, illus.

King, Charles. "Char Davies and Ephémère." Silicon Graphics Online. (October, 1998).

Klaus, François. "Osmose-toi si tu l'oses!" Interactif. (9) (May, 1996), pp. 94-95, illus.

Klonaris, Maria and Katerina Thomadaki. Pour une Écologie des Media: Art, Cinema, Video, Ordinateur. Paris, France: A.S.T.A.R.T.I (1998), pp. 112 - 113.

Krinke, Rebecca. "Landscape of Contemplation." Contemporary Landscapes of Contemplation. New York, NY, US: Routledge, Taylor & Francis Group (2005), pp. 4-9, 11-12 illus.

Kwastek, Katja. "Immersed in Reflection? The Aesthetic Experience of Interactive Media Art." Immersion in the Visual Arts and Media. Liptay, Fabienne and Burcu Dogramaci, eds. Leiden, NL: Koninklijke Brill (2016), pp. 66-71, illus.

Lamm, Bettina. "Explorative Space: Spatial Expression and Experience in Gardens and in VR Works." Virtual Space: Spatiality in Virtual Inhabited 3D Worlds. Lars Qvortrup, ed. New York, NY, US: Springer-Verlag London Limited (2002), pp. 215-237, illus.

Lang, Curtis. ""code"DEPENDENTS." Time Out New York. (October 25 - November 1, 1995), p unknown

Langlois, Monique. "La nature dans l'art." ETC Montreal. (38) (Summer 1997), pp. 17-21, illus.

Laurel, Brenda. "When Computers Become Human." Talking back to the Machine: Computers and Human Aspiration. Peter J. Denning, ed. New York, NY, US: Copernicus/Springer-Verlag (1999), pp. 106-107.

Le Grand, Jean-Pierre. "Char Davies: Osmose du virtuel au naturel." Vie des Arts. Vol. 39 (160) (Fall 1995), pp. 27-29, illus. Available in English.

Lévy, Pierre. Cyberculture - Rapport au Conseil de l'Europe. Paris, France: Éditions Odile Jacob (1997).

Lipkin, Jonathan and Charles H. Traub. In the Realm of the Circuit: Computers, Art and Culture. Upper Saddle River, NJ, US: Pearson Prentice Hall (2004), pp. 269-271, illus.

Lovejoy, Margot. Digital Currents: Art in the Electronic Age. New York, NY, US: Routledge, Taylor & Francis Group (2004), pp. 206-209, illus.

Lunenfeld, Peter. "Char Davies." Art + Text. (53) (1996), pp. 82-83, illus.

Lyall, Marta. "Traversing the Wilderness of Body." Shifting Ground: Transformed Views of the American Landscape. Rhonda Lane Howard, ed. Seattle, WA, US: Henry Art Gallery, University of Washington (2000), pp. 54-55, illus.

Machuca, Marcela García. "...Y es sólo el principio.." El Norte. (Sàbado 8 de Novembre 1997), Sección D, illus.

Malpas, Jeff ed. The Place of Landscape: Concepts, Contexts, Studies. Cambridge, MA, US: The MIT press (2011), pp. 19-22, 26.

Manovich, Lev. The Language of New Media. Cambridge, MA, US: The MIT press (2001), pp. 259-268, 282-283, illus.

Mattei, Maria G. "Fino All'Ultimo Respiro." Virtual. Vol. 4 (32) (June, 1996), pp. 36-38, illus.

Mayor Zaragoza, Federico. "El agua: un desafÍo." Atlántica Internacional - Revista de las artes.. Número 20. (Primavera 1998), pp. 23 - 29, illus.

McClellan, Jim. "The Amazing Technicolor Dream Float." Esquire (UK), (June, 1997), p. 60, illus.

McClellan, Jim. "A breath of fresh art." The Guardian. UK (November 21, 1996), pp. 16-17, illus.

McDonagh, Patrick. "Char Davies' Ephémère." Softimage Online. (1998).

McDowell, David. "Body Doubles: Kinesthetics and Visual Display in the Aesthetics of Gallery-based Interactive Art." Extensions: The Online Journal of Embodiment and Technology (Interactivity and Kinesthetic Sense). Vol. 3 (2006-2007).

McGorry, Ken. "Virtual nature walk." POST. Vol. 10 (12) (December 15, 1995), pp. 8, 32, illus.

McMahan, Alison. "Immersion, Engagement, and Presence. A Method for Analyzing 3-D Video Games". The Video Game, Theory Reader. Mark J.P. Wolf and Bernard Perron, eds. New York, NY, US: Routledge, Taylor & Francis Group (2003), pp. 77-78.

McRobert, Laurie. Char Davies’ Immersive Virtual Art and the Essence of Spatiality. Toronto, ON, Canada: University of Toronto Press (2007), pp. 3-10, illus.

McRobert, Laurie. "Immersive Computer Art and the Making of Consciousness." Reframing Consciousness. Roy Ascott, ed. Exeter, UK and Portland, OR, US: Intellect Books (1999), pp. 32-37.

McRobert, Laurie. "Virtual Reality and the Dynamics of Transcendence." Explorations: Journal for Adventurous Thought. Vol. 15 (1) (Fall 1996).

Mirapaul, Matthew. "An Intense Dose of Virtual Reality." The New York Times Online. (July 9, 1998) [online].

Morley, Andrew. "Serious Games." Contemporary Visual Arts. (15) (1997), p. 66, illus.

Morse, Margaret. "The Poetics of Interactivity." Women, Art, and Technology. Judy Malloy, ed. Cambridge, MA, US: The MIT press (2003), pp. 16-33.

Morse, Margaret. Virtualities: Television, Media Art and Cyberculture. Bloomington, IN, US: Indiana University Press (1998), pp. 208-211, illus.

Morse, Margaret. "Virtually Female: Body and Code." Processed Lives: Gender and Technology in Everyday Life. Jennifer Terry and Melodie Calvert, eds. New York, NY, US: Routledge, Taylor & Francis Group (1997).

Munster, Anna. materializing new media, embodiment in information aesthetics. Lebanon, NH, US: University Press of New England (2006), p. 111.

Nagata, Tomoyuki (長田智行), ed. Computer Graphics Art Work. Tokyo, Japan: Graphic-Sha Publishing Company Ltd. (1992), pp. 5, 28, illus.

Napier, JoAnn, Denise Shortt and Emma Smith. "Culture: Char Davies, Virtual Artist." Technology with Curves: Women Reshaping the Digital Landscape. Toronto, ON, Canada: Harper Collins Publishers Ltd (2000).

Neesham, Claire. "Take The Plunge into Virtual Art." New Scientist (2006) (December 2, 1995), p. 26.

Nelson, Cami. "From Sfumato to Transarchitectures and Osmose: Leonardo da Vinci's Virtual Reality." Leonardo, Journal of the International Society for the Arts, Sciences and Technology. Vol. 42 (3) Cambridge, MA, US: The MIT press (2009), pp. 259-264, illus.

O'Brien, Paul. "Sensing the Future - Conference." Circa. (80) (Summer 1997), p. 44.

O'Donoghue, Karl. "Char Davies and Osmose." YLEM Journal. vol. 21, no. 12 (December 2002), pp. 8-11, illus.

Ohlenschläger, Karin. "Virtual Art - Plural Reality." Exhibition catalog Museo de Monterey." Monterrey, Mexico (1997), pp. 12-21. Disponible en Español

O'Donoghue, Karl. "The Real and the Virtual: Char Davies." Art Bulletin, Vol. 16 (87) (June/July, 1999), pp. 22-24, illus.

O'Donoghue, Karl. "Virtual Ecology: the Work of Char Davies." Thought Lines 3: An Anthology of Research. Paul O'Brien, ed. Dublin, Ireland: National College of Art and Design (1999), pp. 284-294.

Pageot, Edith-Anne. "Art et nouvelles technologies: Pour un recadrage de la subjectivité humaine par rapport à l'idée de paysage." RACAR, Revue d'art Canadienne | Canadian Art Review. Vol. 35 (1), ON, Canada: University of Victoria Printing Services (2010), pp. 42-53, illus.

Palmer Sarah. "Immerse Yourself." The West Australian - Today. Friday, August 9, 2002, illus.

Paterson, Mark. The Senses of Touch. Oxford, UK: Berg (2007), pp. 117-125

Paterson, Nancy. "Technology ≠ Art." Fuse. Vol. 20 (5) (1997), pp. 43-45, illus.

Crowther, Paul. Phenomenology of the Visual Arts (even the frame). Stanford, CA, US: Stanford University Press (2009), pp. 153-154, 162-165, illus.

Paul, Christiane. DIGITAL ART. London, UK: Thames & Hudson Ltd. (2003), pp. 125-128, 132, illus.

Pearce, Celia. The Interactive Book: A Guide To The Interactive Revolution. Indianapolis, IN, US: MacMillan Technical Publishing (1997), pp. 501-503, illus.

Pesce, Mark. "Head Games." Game On. London, UK: Barbican Gallery (May, 2002).

Pesce, Mark. The Playful World: How Technology Is Transforming Our Imagination. New York, NY, US: Ballentine Books (2000), pp. 248-255, 267.

Pesce, Mark. "3-D Epiphany." Salon Magazine (July 13, 1998).

Pesce, Mark. "Osmose en Ik." Wave. (17) (March-April, 1996), pp. 44-47, illus.

Pfitzer, Gary. "Interior Depths." Computer Graphics World. Vol. 16 (8) (August 1993), pp. 62-63, illus.

Poissant, Louise. " Ombres et effets de présence." Lumières des Lumière. Alain Fleischer, ed. France: Édition Le Fresnoy (2011), pp. 23-40, illus.

Popper, Frank. From Technological to Virtual Art. Cambridge, MA, US: The MIT press (2007), pp. 191-197, illus.

Porter, Stephen. "A Strange and Wonderful Journey into VR." Computer Graphics World: Userfocus. (October, 1996), pp.59-60, illus.

Porter, Stephen M. "Expanding the VR Aesthetic." Computer Graphics World. Vol. 19 (7) (July, 1996), p. 4.

Preston, Joan M. "From Mediated Environments to the Development of Consciousness II." Psychology and the Internet: Intrapersonal, Interpersonal, and Transpersonal Implications, 2nd Edition. Jayne Gackenbach, ed. Burlington, MA, US: Academic Press (2007), pp. 302-303.

Purser, Ron. "The Cultural Aesthetic of Virtual Reality: Simulation or Transparency?." Human Computer Interaction: Issues and Challenges. Qiyang Chen, ed. Hershey, PA, US: Idea Group Publishing (2001), pp. 224-225, 229-231.

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